Gorgons

The Gorgons (/ˈɡɔːrɡənz/ GOR-gənz; Ancient Greek: Γοργώνες), in Greek mythology, are three monstrous sisters, Stheno, Euryale, and Medusa, said to be the daughters of Phorcys and Ceto. They lived near their sisters the Graeae, and were able to turn anyone who looked at them to stone. Euryale and Stheno were immortal, but Medusa was not and was slain by the hero Perseus.^[2]

Gorgons were dread monsters with terrifying eyes who instilled fear in any who saw them. The head of a Gorgon, called a gorgoneion, was displayed on Athena's aegis, giving it the power both to protect her from any weapon, and instill great fear in any enemy. Gorgon blood was said to have both the power to heal and harm.

Both full-bodied Gorgons and gorgoneia were popular subjects in Ancient Greek, Etruscan and Roman iconography. While Archaic Gorgons are universally depicted as hideously ugly, over time they came to be portrayed as beautiful young women.

Family

According to Hesiod and Apollodorus, the Gorgons were daughters of the primordial sea-god Phorcys and the sea-monster Ceto, and the sisters of three other daughters of Phorcys and Ceto, the Graeae.^[3] However according to Hyginus, they were daughters of "the Gorgon", an offspring of Typhon and Echidna, and Ceto,^[4] while Euripides, in his tragedy Ion, has "the Gorgon" being the offspring of Gaia, spawned by Gaia to be an ally for her children the Giants in their war against the Olympian gods.^[5]

Mythology

Dwelling place

Where the Gorgons were supposed to live varies in the ancient sources.^[6] According to Hesiod, the Gorgons lived far to the west beyond Oceanus (the Titan, and world-circling river) near its springs, at the edge of night where the Hesperides (and the Graeae?) live.^[7] The Cypria apparently had the Gorgons living in Oceanus on a rocky island named Sarpedon.^[8] Aeschylus's Prometheus Bound places them in the far east "across the surging sea" on the "Gorgonean plains of Cisthene", where the Graeae live, while his lost play Phorkides (another name for the Graeae) apparently placed them at "Lake Tritonis", a mythological lake set somewhere in westernmost North Africa.^[9] And the fifth-century BC poet Pindar has Perseus, apparently on his quest for the Gorgon head, visit the Hyperboreans (usually considered to dwell in the far north). However, whether Pindar means to imply that the Gorgons lived near the Hyperboreans is unclear.^[10]

Petrification

Pherecydes tells us that Medusa's face turned men to stone, and Pindar describes Medusa's severed head as "stony death".^[11] In Prometheus Bound, it says that no mortal can look at them and live.^[12] According to Apollodorus, all three of the Gorgons could turn to stone anyone who saw them.^[13]

Perseus

Stheno and Euryale were immortal, whereas Medusa was mortal.^[15] According to Apollodorus' version of their story, Perseus was ordered by Polydectes (his enemy) to bring back the head of Medusa. So guided by Hermes and Athena, he sought out the sisters of the Gorgons, the Graeae who had only one eye and one tooth which they shared. Perseus managed to steal their eye and tooth, and refused to return them, unless they would show him the way to the nymphs, which they did. Perseus got from the nymphs, winged sandals, which allowed him to fly, and the cap of Hades, with made him invisible. He also received an adamantine sickle (harpē) from Hermes. Perseus then flew to Oceanus, found the Gorgons asleep. And when Perseus managed to behead Medusa by looking at her reflection in his bronze shield, Stheno and Euryale chased after him, but were unable to see him because he was wearing Hades' cap of invisiblity. When Perseus brought back the Gorgon head, as ordered, with averted eyes he showed the head to Polydectes who was turned to stone. Perseus returned the things he had acquired from the nymphs and Hermes, but gave the Gorgon head to Athena.^[16]

Athena's Gorgon aegis

According to Apollodorus, after Peseus gave the Gorgon head to Athena, she "inserted the Gorgon's head in the middle of her shield",^[18] apparently a reference to Athena's aegis. In the Iliad, the aegis is a device, usually associated with Athena, which was decorated with a Gorgon head.^[19] Athena wore it in battle as a shield which neither Apollo's spear, or even Zeus' thunderbolt could pierce.^[20] According to the Iliad, Hephaestus made the aegis for Zeus, while according to a Hesiod fragment, Metis made it for Athena, before Athena was born. However, Euripides, in his tragedy Ion, has a character say that Athena's aegis was made from the skin of the Gorgon, the offspring of Gaia, who Gaia had brought forth as an ally for her children the Giants and who Athena had killed during the Gigantomachy.^[21] In vase-painting, Athena is often shown wearing her aegis, fringed with snake-heads.^[22]

Gorgon blood

In some accounts, the blood of "the Gorgon" (any Gorgon?) was said to have both the power to heal and harm.^[23] According to Euripides' Ion, Athena gave two drops of blood from the Gorgon she slew for her aegis to Erichthonius, one of which "wards off diseases and nourishes life", while the other "kills, as it is poison from the Gorgon serpents".^[24] While according to Apollodorus, Athena gave Asclepius some of the blood the Gorgon, "and while he used the blood that flowed from the veins on the left side for the bane of mankind, he used the blood that flowed from the right side for salvation, and by that means he raised the dead."^[25]

Etymology

The name derives from the Ancient Greek word gorgós (γοργός), which means 'grim or dreadful', and appears to come from the same root as the Sanskrit word garjana (गर्जन), which means a guttural sound, similar to the growling of a beast,^[26] thus, possibly originating as an onomatopoeia.

Literary descriptions

The earliest literary accounts of Gorgons occur in works by Hesiod and Homer (c. 700–650 BC).^[27] Hesiod provides no physical description of the Gorgons, other than to say that the two Gorgons, Sthenno, and Euryale did not grow old.^[28] Homer mentions only "the Gorgon" (otherwise unnamed) giving brief descriptions of her, and her head. In the Iliad she is called a "dread monster" and the image of her head, which appears—along with several other terrifying images—on Athena's aegis, and Agamemnon's shield, is described as "dread and awful", and "grim of aspect, glaring terribly".^[29] Already in the Iliad, the Gorgon's "glaring" eyes were a notably fearsome feature. As Hector pursues the fleeing Achaeans, "exulting in his might" ... ever slaying the hindmost", Homer describes the Trojan hero as having eyes like "the eyes of the Gorgon".^[30] And in the Odyssey, Odysseus, although determined "steadfastly" to stay in the underworld, so as to meet other great men among the dead, is seized by such fear at the mere thought that he might encounter there the "head of the Gorgon, that awful monster", leaves "straightway".^[31]

The Hesiodic Shield of Heracles (c. late seventh–mid sixth century BC) describes the Gorgons chasing Perseus as being "dreadful and unspeakable" with two snakes wrapped around their waists, and that "upon the terrible heads of the Gorgons rioted great Fear", perhaps a reference to snakes writhing about their heads.^[32] Pindar makes snakes for hair explicit, saying that Perseus' Gorgon head "shimmered with hair made of serpents", and that the Gorgons chasing Perseus also had "horrible snaky hair", so too in Prometheus Bound where all three Gorgons are described as "winged" as well as "snake-haired".^[33] The Gorgon's reputation for ugliness was such that the Athenian comic playwright Aristophones could, in 405 BC, ridicule the women of the Athenian deme Teithras by referring to them as Gorgons.^[34]

The mythographer Apollodorus gives the most detailed description:

... the Gorgons had heads twined about with the scales of dragons, and great tusks like swine's, and brazen hands, and golden wings, by which they flew".^[35]

While such descriptions emphasize the hideous physical features of the Gorgon, by the fifth century BC, Pindar can also describe his snake-haired Medusa as "beautiful".^[36] And the Roman poet Ovid tells us that Medusa was originally a beautiful maiden, but because of a sexual encounter with Neptune (the Roman equivalent of the Greek Poseidon) in Minerva's temple (Minerva being the Roman equivalent of the Greek Athena), Minerva punished Medusa by transforming her beautiful hair into horrible snakes.^[37]

Iconography

Gorgons were a popular subject in ancient Greek, Etruscan and Roman art, with over six hundred representations cataloged in the Lexicon Iconographicum Mythologiae Classicae (LIMC).^[38] Some representations show full-bodied Gorgons, while others, called gorgoneia, show only the disembodied full-frontal face of a Gorgon, such as those described in the Iliad as appearing on Athena's aegis, and Agamemnon's shield.^[39] The earliest representations of both types are found from roughly the same time period, the mid seventh century BC.^[40]

Archaic Gorgons typically have snaky hair either with snake-like curls (Figs. 7, 8), or actual snakes protruding from their heads (Figs. 2, 5, 6, 9). The faces of Archaic Gorgons are particularly distinctive, typically with large menacing eyes, tripartite scroll-like (volute) noses, wide mouths with rictus-like grins, lolling tongues, fangs and/or tusks (Figs. 4, 5, 6), and sometimes beards (Figs. 3, 4, 12).^[41]

Consistent with the change in literary descriptions seen in the works of Pindar and Ovid mentioned above, beginning in the fifth century BC, images of Gorgons and gorgoneia transition from hideous monsters to beautiful young women, with such representations becoming typical in the fourth century BC.^[42] One of the earliest such "beautiful" Gorgons (mid fifth century BC) is a red-figure pelike (Fig. 10), which shows Perseus, with head turned away, about to behead a sleeping Medusa.^[43] While gorgoneia continue to be ubiquitous through the end of antiquity, after the fourth century BC full-bodied Gorgons ceased to be represented.^[44]

Full-bodied Gorgons

Full-bodied Gorgons are usually shown in connection with the Perseus-Medusa story.^[45] The earliest representations (mid seventh century BC) of such Gorgons are a Boeotian relief pithos (Fig. 1), which depicts Perseus, with head turned away, decapitating a Gorgon, and the Eleusis Amphora (Fig. 2), which shows two Gorgons chasing Perseus fleeing with a severed Gorgon head. That the Perseus on the pithos averts his gaze shows that already in these earliest images it was understood that looking directly at the Gorgon's face was deadly.^[46] Of particular interest is the famous Medusa pediment (early sixth century BC) from the temple of Artemis in Corfu (Fig. 6), which shows a winged-Medusa in the characteristic Knielauf (kneeling-running) position, with two snakes wrapped around her waist, like the Gorgons described in the Hesiodic Shield of Heracles.^[47]

Although the Gorgon being beheaded on the Boeotian pithos is depicted as a female Centaur, with neither wings nor snakes present, and the Gorgons on the Eleusis Amphora, have wingless, wasp-shaped bodies with cauldron-like heads, by the end of the seventh century BC, humanoid bodies, with wings, and snakes around their head, necks, or waist, such as depicted on the Medusa pediment, become typical.^[48] Unlike the depictions of gods and heroes, which are usually shown in profile, Archaic Gorgons, even when their bodies are presented profile (usually running), their heads are turned to display their full face, with their large bulging eyes glaring directly at the viewer.^[49]

• 
  Fig. 1. Centaur-bodied Gorgon (Medusa) being decapitated by Perseus with averted gaze; Boetian relief pithos, Louvre CA 795 (mid seventh century BC^[50]
• 
  Fig. 2. Two wingless Gorgons with wasp-shaped bodies and cauldron-like heads chase Perseus (on the body of the vase below the neck); Eleusis Amphora, Eleusis, Archaeological Museum 2630 (mid seventh century BC)^[51]
• 
  Fig. 3. Winged Gorgon with, volute nose, wide mouth, tusks/fangs, tongue, and beard, as Mistress of Animals flanked by geese; plate from Kameiros, Rhodes, British Museum A 748 (c. 630 BC)^[52]
• 
  Fig. 4. Winged Gorgon with, volute nose, wide mouth, tusks/fangs, tongue, and beard; name vase of the Nessos Painter, Athens, National Archaeological Museum 1002 (late seventh–early sixth century BC)^[53]
• 
  Fig. 5. Two winged snake-haired Gorgons with volute nose, wide mouth, tusks/fangs, tongue (center and right) chase Perseus, with a headless Gorgon (left); Dinos of the Gorgon Painter, Louvre E874 (early sixth century BC)^[54]
• 
  Fig. 6. Winged snake-haired Gorgon with belt of snakes, in kneeling-running position, as Mistress of Animals flanked by lions; pediment from the temple of Artemis in Corfu, Archaeological Museum of Corfu (early sixth century BC)^[55]
• 
  Fig. 7. Winged curl-haired Gorgon (Medusa) being decapitated by Perseus aided by Athena; fragment of ivory relief plaque from the Heraion of Samos Archaeological Museum of Samos E 1 (sixth century BC)^[56]
• 
  Fig. 8. Winged curl-haired Gorgon; relief terracotta antefix, Temple of Athena at Syracuse, in the Museo Archeologico Regionale Paolo Orsi of Syracuse, Sicily (late sixth century BC)^[57]
• 
  Fig. 9. Gorgon (detail); amphora, Munich, Staatliche Antikensammlungen 2312 (Early fifth century BC)^[58]
• 
  Fig. 10. Perseus about to behead a "beautiful" sleeping Medusa; Pelike, attributed to Polygnotos, Metropolitan Museum of Art 45.11.1 (mid fourth century BC)^[59]

Gorgoneia

Gorgoneia, thought to have had an apotropaic (protective) function, are often found on architectural elements such as temple pediments, and ornamental antefixes and acroteria, or decorating various round objects, such as shields, coins, and the bottoms of bowls and cups.^[60] As with full-bodied Gorgons the earliest representations are found from the mid sixth century BC. The earliest example of a "beautiful" gorgoneion is the Medusa Rondanini (Fig. 14), which is thought to be a Roman copy of a Greek original dated to either the fifth-century BC or the Hellenistic period.^[61]

• 
  Fig. 11. Gorgoneion; Disk-fibula, Louvre BR 4306 (second half of the sixth century BC)^[62]
• 
  Fig. 12. Bearded snake-haired Gorgoneion; kylix cup, Munich, Staatliche Antikensammlungen 2027 (msecond half of the sixth century BC)^[63]
• 
  Fig. 13. Gorgoneion; Attic kylix cup, Paris, Cabinet des Medailles 320 (late sixth century)^[64]
• 
  Fig. 14. "Beautiful" gorgoneia, with small head wings and two snakes twined under her chin; the Medusa Rondanini, Munich, Staatliche Antikensammlungen GL 252 (first-second century AD, Roman copy of a Greek original?)^[65]

Notes

References

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•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Gorgon, Gorgons". Encyclopædia Britannica. Vol. 12 (11th ed.). Cambridge University Press. p. 257.
• Additional material has been added from the 1824 Lemprière's Classical Dictionary.

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