Portrait of a Man (Moretto)
1526 painting by Moretto da Brescia
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| Portrait of a Man | |
|---|---|
| Italian: Ritratto virile a figura intera | |
 | |
| Artist | Moretto |
| Year | 1526 |
| Medium | Oil on canvas |
| Dimensions | 201 cm × 92 cm (79 in × 36 in) |
| Location | National Gallery, London |
Portrait of a Man is an oil on canvas painting by Moretto da Brescia, dated of 1526, now in the National Gallery, London, which acquired it in 1876 from the Fenaroli Avogadro Collection, from Brescia.[1] It is held to be the first surviving standing life-size portrait in art history, predating those of Titian.[2]
References
Bibliography
- (in Italian) Camillo Boselli, 'Il Moretto, 1498-1554', in Commentari dell'Ateneo di Brescia per l'anno 1954 – Supplemento, Brescia, 1954.
- (in Italian) Giovanni Battista Carboni, Le Pitture e Scolture di Brescia che sono esposte al pubblico con un'appendice di alcune private Gallerie, Brescia, 1760.
- (in Italian) Pietro Da Ponte, L'opera del Moretto, Brescia, 1898.
- György Gombosi, Moretto da Brescia, Basel, 1943.
- Cecil Gould, National Gallery catalogues. The sixteenth-century Italian schools (excluding the Venetian), London, 1962.
- Cecil Gould, The sixteenth-century Italian schools, London, 1975.
- (in Italian) Pier Virgilio Begni Redona, Alessandro Bonvicino – Il Moretto da Brescia, Brescia, Editrice La Scuola, 1988.
- (in Italian) Giorgio Vasari, Le vite de' più eccellenti pittori, scultori e architettori scritte da M. Giorgio Vasari pittore aretino – Con nuove annotazioni e commenti di Gaetano Milanesi, Firenze, 1881.
External links
- National Gallery catalog entry
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Moretto da Brescia
- Enthroned Madonna and Child with Saint James the Great and Saint Jerome (1517)
- Christ with the Cross (1518)
- The Dead Christ Adored by Saint Jerome and Saint Dorothy (1520–1521)
- Holy Cross Standard (1520–1521)
- Standard of Our Lady of Mercy (1520–1522)
- Salvation Triptych (1521–1524 or 1527–1528)
- Our Lady of Mount Carmel (c. 1522)
- Assumption of the Virgin (1524–1526)
- Portrait of a Man (1526)
- Supper at Emmaus (c. 1526)
- Madonna and Child with Saint Roch and Saint Sebastian (c. 1528)
- Orzinuovi Altarpiece (1525–1530}
- Lament over the Dead Christ (1526–1530)
- Sant'Eufemia Altarpiece (1526–1530)
- Assumption Altarpiece (1529–1530)
- St Anthony of Padua with Two Saints (1530)
- St Justina of Padua with a Donor (c. 1530)
- Madonna and Child with Saint Martin and Saint Catherine (c. 1530)
- Massacre of the Innocents (1531–1532)
- Saint Anthony Abbot (1530–1534)
- Coronation of the Virgin Altarpiece (c. 1534)
- The Deaf-Mute Filippo Viotti's Vision of the Virgin Mary (c. 1534)
- Annunciation (1535–1540)
- The Assassination of Saint Peter Martyr (1535–1540)
- Portrait of a Gentleman with a Letter (1535–1540)
- Chiesa di San Giovanni Evangelista Organ Case (c. 1535)
- Madonna and Child Enthroned with Saints (1536–1537)
- Rovelli Altarpiece (1539)
- Adoration of the Shepherds with Saints Nazarius and Celsus (1540)
- Madonna and Child with Saints (Verona, 1540)
- Salomé (1540)
- Pralboino Altarpiece (1540–1545)
- Christ in Glory with Saint Peter and Saint Paul (c. 1540)
- Christ with the Eucharist and Saints Cosmas and Damian (c. 1540)
- Madonna and Child with Four Doctors of the Church (c. 1540–1545)
- Madonna and Child with Saints (London, c. 1540–1545)
- Madonna and Child with an Angel (c. 1540–1550)
- Christ with Moses and Solomon (1541–1542)
- Portrait of Fortunato Martinengo Cesaresco (1542)
- Luzzago Altarpiece (1542)
- Madonna and Child with Four Saints (c. 1543)
- Mystic Marriage of Saint Catherine (c. 1543)
- Pentecost (1543–1544)
- Supper in the House of Simon the Pharisee (1544)
- Christ with the Eucharist and Saints Bartholomew and Roch (c. 1545)
- Portrait of an Ecclesiastic (c. 1545)
- Christ and the Angel (c. 1550)
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