The Faux Pas
Painting by Antoine Watteau
The Faux Pas is a 1716-1718 oil on canvas painting by Antoine Watteau, now in the Louvre,[1] which was left by Dr La Trujillo in 1869. It draws on north European works such as The Village Fête by Rubens, now also in the Louvre.
References
- ^ Watteau, Jean-Antoine; France (1716), Le Faux-Pas, retrieved 2023-07-09
Further reading
- Camesasca, Ettore [in Portuguese] (1971). The Complete Painting of Watteau (catalogue raisonné). Classics of the World's Great Art. Introduction by John Sutherland. New York: Harry N. Abrams. p. 118, cat. no. 172. ISBN 0810955253. OCLC 143069 – via the Internet Archive.
- Roland Michel, Marianne (1984). Watteau (in French). Paris: Flammarion. p. 269; pl. 284. ISBN 9782080120205. OCLC 417153549.
- Walther, Ingo F., ed. (1999). Masterpieces of Western Art: A History of Art in 900 Individual Studies from the Gothic to the Present Day. Cologne, London et al.: Taschen. p. 350. ISBN 3-8228-7031-5 – via the Internet Archive.
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Antoine Watteau
- The Country Dance (c. 1706-1710)
- Marriage Contract and Country Dancing (c. 1711)
- Cupid Disarmed (c. 1715)
- Savoyard with a Marmot (1716)
- The Two Cousins (1716)
- The Robber of the Sparrow's Nest (c. 1709-1716)
- Pastoral Pleasure (c. 1714-1716)
- The Embarrassing Proposal (c. 1715-1716)
- L'Indifférent (1717)
- The Shepherds (c. 1717)
- The Dreamer (c. 1712-1717)
- The Chord (c. 1714-1717)
- The Surprise (c. 1718)
- Actors of the Comédie-Française (c. 1711-1718)
- La Boudeuse (c. 1715-1718)
- The Faux Pas (1716-1718)
- The Embarkation for Cythera (c. 1717; c. 1718-1719)
- Fêtes Vénitiennes (1719)
- Perfect Harmony (c. 1719)
- Jupiter and Antiope (c. 1714-1719)
- Pierrot (c. 1718-1719)
- The Worried Lover (c. 1715-1720)
- Mezzetino (c. 1718-1720)
- Holy Family (c. 1714-1721)
- L'Enseigne de Gersaint (1720-1721)
- Two Studies of an Actor (c. 1716-1721)
- Fête galante
- Polish Woman (attributed)
- Rococo