Potret diri

Potret diri atau swapotret adalah sebuah perwakilan dari seorang seniman yang menggambar, melukis, memfoto, atau memahat karya tersebut. Meskipun potret diri telah dibuat sejak masa-masa awal, para seniman baru giat menggambar dirinya sendiri sebagai subyek utama atau karakter menonjol dalam karya mereka pada zaman Renaisans Awal pada pertengahan abad ke-15.

Lihat pula

• Swafoto atau foto diri sendiri

Catatan dan referensi

Bacaan tambahan

• John J. Ciofalo, Self-Portraits of Francisco Goya. Cambridge University Press, 2001
• Edward Lucie-Smith with Sean Kelly, The Self Portrait: A Modern View. (1987)
• Ernst van de Wetering and others; Rembrandt by himself, 1999, National Gallery, London / Mauritshuis, The Hague, ISBN 1-85709-270-8
• Joseph Leo Koerner, The Moment of Self-Portraiture in German Renaissance Art, Chicago/London, 1993
• Jonathan Miller, On Reflection, 1998, National Gallery, ISBN 1-85709-237-6.
• Joanna Woodall, Self Portrait. Renaissance to Contemporary. National Portrait Gallery, London and Art Gallery of New South Wales, Sydney, 2005.
• Belle, Julian (Ed.): Five Hundred Self-Portraits. Phaidon Press, London/New York, 2000 (pb 2004), ISBN 0-7148-4384-9 Self-Portraits in chronological order from ancient Egypt to the present.

Tidak dalam bahasa Inggris

• Joëlle Moulin, L'autoportrait au XXe siècle, éd. Adam Biro, Paris, 1999
• Pascal Bonafoux, Les peintres et l'autoportrait, 1984
• Bernard Auriol, L'image préalable, l'expression impressive et l'autoportrait, Psychologie Médicale, 19, 9, 1543–1547, 1987 {available on line : self-portrait}
• Bonafoux, Pascal / Rosenberg, David: Moi! Autoportraits du XXe siècle. Musée du Luxembourg (Paris) / Skira Editore (Milano), Exhibition catalogue. 2004, Text French, Paris 2004, ISBN 88-8491-854-5 The book presents 155 artist (fine art) of the 20th century by showing their self-portraits added by informative texts.
• Borzello, Frances: Wie Frauen sich sehen  –  Selbstbildnisse aus fünf Jahrhunderten. Karl Blessing Verlag, München 1998, ISBN 3-89667-052-2
• Calabrese, Omar: Die Geschichte des Selbstporträts. Deutscher Kunstverlag, München 2006, ISBN 3-7774-2955-4
• Pfisterer, Ulrich / Rosen, Valeska von ~ (Hrsg.): Der Künstler als Kunstwerk. Selbstporträts vom Mittelalter bis zur Gegenwart. Reclam, Stuttgart 2005, ISBN 3-15-010571-4 (Rezension)
• Jeancolas, Claude. (1998). Passion Rimbaud: L'Album d'une vie. (Prancis) Paris: Textuel. ISBN 978-2-909317-66-3
• Kathrin Schmidt: Annegret Soltau: ich selbst, Mathildenhöhe Darmstadt (Germany), 2006 ISBN 3-935062-06-0

Self-portrait in neurology

• Tielsch AH, Allen PJ (2005) Listen to them draw: screening children in primary care through the use of human figure drawings. Pediatr Nurs 31(4): 320–327. This survey of literature is focused on the method of drawing people as the method of diagnostics. Children's figures can recognize mental disorders. The authors describe the use of self-portraits for diagnostics of emotional disorders in children from 6 to 12 years. Although this procedure does not make it possible to place final diagnosis, it is useful for the recognition of problems.
• Morin C, Pradat-Diehl P, Robain G, Bensalah Y, Perrigot M (2003) Stroke hemiplegia and specular image: lessons from self-portraits. Int J Aging Hum Dev 56(1): 1-41. Patients with hemiplegia have diverse problems of self-perception, which are caused by neurological defeats of the idea of body, or by psychological problems with the perception their own self.

Psikologi persepsi diri

• Wegner DM (2003) The mind's self-portrait. Ann N Y Acad Sci 1001: 212–225. Psychology and neuroscience approach understanding of reason and consciousness. Meanwhile, each human reason contains the self-portrait, which contains the self-appraisal of cognitive processes. This self-portrait assumes that the actions of man are governed by thoughts and, thus, the body is governed by consciousness. Self-portrait leads to the persuasion, that we consciously desire to make something. Studies show that self-portraiture is a caricature on the function of the brain, but at the same time it is the basis of the sensation of authorship and responsibility of one's own actions.

Pranala luar

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